DanceLife Blog

Meryl Tankard is one of Australias most influential and important dance theatre directors.

Originally from Darwin, her many talents have taken her worldwide. From training and performing with the Australian Ballet, to being one of Pina Bausch's leading performers. Tankard has had her own company, and was Artisic Director at Australian Dance Theatre. She's starred in television productions, and documentarys.

Meryl has been commisioned as a choreographer by many great dance companies including The Australian Ballet, Lyon Opera Ballet, Nederlands Dance Theatre, Berlin Ballet and also has an impressive choreographic history in commercial events, musicals, feature films, operas and youth productions.

The list of her achievements, experiences, awards and recognitions goes on and on and on - get the picture? She's notoriously outstanding. So, I interviewed her for you all this month. Enjoy, and don't miss out her website:

www.meryltankard.com

Cheers,
Paul White.

Meryl, you've been creating work in theatres and on film across the world for many years now. What has you continually inspired to create work? What do you say is the biggest driving force for you to continue?

I can't really say any one thing. I just keep getting ideas, sometimes the inspiration comes from a person, sometimes from just observing nature, music ,an incident, a feeling. I sometimes feel because I never had children I am making up for that by creating shows. I also like to encourage the people I work with to discover new skills, talents they never knew they had, develop their own creativity. This is a great joy for me when I see them expanding as artists. I believe the world would be a happier place if people were able to create more and use their imagination. Once you have 'tapped' into that life is somehow more fulfilling.

When creating a show, what do you mainly have your attention on? Are you thinking of what people want to see? Are you trying to please your audiences, challenge them, entertain them? Or are you expressing something for you?

I guess I create shows for people to be touched/moved, inspired in some way. I really try to give them something they haven' t seen or experienced before and I try never to repeat what I have done before. I know I could make it easier for myself sometimes and give people easy happy lyrical works but that seems boring to me so I 'try' to create something both original and challenging for myself also.

Is there a difference you hope to make in the world with your work? What do you want people left with?

That's a tough question. Its a big world and I feel very tiny in it but I guess if you can touch/inspire a few people sometimes , make them think or see things in a new/ different way then that's what I hope to achieve. It's a little like a sort of drug I guess, i.e. giving people a 'hit' somehow.

You've worked with so many brilliant artists. You briefly lived and work with Sylvie Guillem. What was your experience of that?

I spent two weeks in Sylvie's home in France working everyday with her. She is amazing, so down to earth, so focused and very funny also. She is really in control of her life. She works about 7 hours everyday 6 days a week. She is keen to learn new things .

Is there one thing you are most proud of about your history in the arts? Any career highlights?

Many of the performances with Pina Bausch I will never forget. It was just the time when the world was discovering Pina's work and I felt very proud to be a part of a company that was changing the perception of dance and theatre and breaking down all the rules . The time in Rome when Frederico Fellini came back stage and complimented me was pretty unforgettable! The first shows in New York with Pina when the water we were dancing in was cold and we (and the audience!) waited 1.5 hrs for it to be heated. Andy Warhol was there, David Bowie, Robert de Niro, Bianca Jagger etc. It was very exciting and also when I returned to the same theatre (Brooklyn Academy of Music ) with my own company 12 yrs later and the great reception we received. We were the first Australian company to be invited there.

What do you think of reality TV dance shows, and how they've impacted the arts ?

"Reality" ?? dance TV shows can be very entertaining but sometimes I feel it is at the expense of the young vulnerable dancers involved. It can be great exposure but sometimes I feel it can undermine the integrity of dance, i.e. asking someone to learn a new dance technique in just a few hours and present that live on national TV. That is really scary and doesn't do any service to professional dancers who spend so much time perfecting their art. As long as the dancers know what they are in for and are paid well and looked after during the process then it's fine. This is one area of dance which is based on competition and continues the tradition of the eisteddfod and talent quests and it is fun and entertaining. I don't really think it has much influence on the other forms of dance practised by individual artists around the world. The 'reality' is we are watching a 2-3 mins choreography (which the dancers have struggled to learn in few hours) through the 'eyes' of several cameras editing the action. Creating and dancing in a full length work is something completely different . I find watching a dancer 'live' on the stage for an hour or more a much more 'real' experience than the so called 'reality' show.

What qualities and strengths do you look for in dancers? How do you think students should be focusing their energy and training?

I look for a great openness of mind and body. Generosity and the ability to have a sense of humour is so important. A certain vulnerability which means an ability to forget the ego while working. I still think yoga is a great training to compliment one's own dance technique. For me what's important is WHY we move, so I like dancers who are involved emotionally, i.e. have a 'commitment' to each move they make. I'm not really interested in a whole lot of great technical moves if it doesn't touch you somehow emotionally. So I guess it is about being honest and true to yourself.

If people wish to expand their knowledge of contemporary theatre, what shows or companies would you recommend seeing/researching?

Pina Bausch has really been the biggest influence on dance and theater in the last 30 years. There is still no one like her. Its worth researching the company, watching docos of her work. William Forsythe in Germany (classical), Ce de La B are interesting too. Subscribing to the European Magazine Tanz-Aktuel is really worth it as it has all dance companies and schools in Europe, their seasons , auditions, articles, and reviews. You may be able to get this online as it takes a while to post to Australia. I recommend you save your money and visit Europe. There is so much happening in Holland, Belgium and Germany and so many dancers from all over the world. Go to auditions there even just for the experience and just check out the scene. Ticket prices are much cheaper than here !

Paul White's Blog Is Proudly Sponsored By IKIN DANCE

Ikin Dance is a well established organisation owned and directed by SYTYCD star Anthony Ikin. It provides dance and fitness programs for young people, industry professionals, and for those who just love to dance and get fit for life.

I would like to challenge your thoughts today. I would like to ask - who are you when you are NOT being ‘The Dancer'. Archetypes are, according to Swiss psychiatrist Carl Jung, innate universal psychic dispositions that form the substrate from which the basic themes of human life emerge.* There are some obvious assumptions we can make about being the ‘Dancer' archetype. Physically strong and flexible, dedicated, artistic, passionate, interested in the beauty and asthetics of daily life. It is second nature to us to feel comfortable in our physical body. Even the way we walk down the street identifies our strong Dancer archetype.

There are some ‘shadow' elements to being a Dancer archetype as well. The ‘starving artist' may play out through undervaluing the work you do, not feeling worthy to be successful, or potentially the opposite - pride - that money couldn't possibly express the true value of what you do.**

Over the past year I have been working with the very talented Katie McRae of Archetypal Energies to help unravel the nature of some of my challenging patterns I play out. I was most interested to note that I had shared not only Dancer elements, but naturally Performer elements, Artist elements and most definitely Teacher elements. But of recent, I began to wonder who I am when I close the working door for the day. Who is Dale when she is not being Dale the Dancer? Who are you when you are NOT being The Dancer?

Our industry demands us to be present and working in it nearly 24 hours a day. For a true Dancer archetype that would actually be very fulfilling, but once you are fulfilled where to? And more importantly, did you allow yourself time and expression in other areas to know where to after dance? It's not that dance ends or you walk away from it, although for some that acknowledges their completion. It is more that you have fulfilled the requirements of you as a dancer in this lifetime. From experience and from viewing my colleagues, it seems to happen in the early 30's when the Dancer/Performer archetypes seem to have been indulged for most and the opportunity to look around at what else interests you is given a chance to be heard. Most of us stay within the industry, but a little of me wonders about how attached to our identity within the industry we are. That we have only known ourselves because of this industries recognition of us and our work in it. Think - Li Cunxin - Mao's Last Dancer. He is now a stockbroker and yet he is a legend of the ballet world to this day. He is an example of being brave enough to leave when his experience was completed and fulfill other callings.

To wrap it up, friends, I guess what I'm proposing is that we all ask ourselves the question - Who am I when I'm NOT being The Dancer? What else excites me, challenges me, calls me? And perhaps you won't be afraid to answer this knowing that it's ok to move around in this world via many different aspects of yourself, not just dancer related - or perhaps that is exactly who you are to be this time! Have fun.

By Dale Pope

We have some of the best dancers in the world here in Australia!! BUT they aren't getting paid to even live right!

We have some of the best creators and artists working their butts off and loving it but they can't live like this for ever. We can't live like this forever! It's the new generation! Dance is recognised now and famous to the youth just as much as football. Trust me I'm touring Australia as we speak, touring into dance schools and communities (I'm in Tennant Creek working with the youth out here to get them up on stage to perform at the Desert Harmony Festival, big job). We are athlete's! It takes a decade of dancing everyday to become a professional to start making money! Intense training, investment into dance classes, study, oversea's trips to get better training (injuries pulling you back). I've done 4 trips and spent over $10,000 every time.

I make my money through teaching but teaching and not performing is killing my soul. As much as I love giving, I can't afford to be doing it all my life at this extreme. I need to perform, I need to dance full out before my body can't do it anymore. I loose my athleticism from teaching because it's draining doing the same movements over and over! I could be 10 times more amazing!

If dancers were paid like Lawyers and Doctors.....Wow Imagine the arts level in Australia??

We are doctors of our own kind, with more then 4-8 years training at Uni and we get paid just $10,000 a year to actually entertain(the best part) and to earn that we are entertaining the Lawyers/ Doctors child to keep them from seeing the Doctor or Lawyer. We can't get loans because we are self employed and don't have full time job's because there isn't enough job's? When in fact we are working full time just not being paid on someone's pay roll("Lamb's over looked my shoulder and added").

I feel it's because of this tall poppy disease running around in Australia?

I feel the stereo type footballer Australian hating on me because I dance ("you're a poofter if you dance".....?). But aren't they the one's running around in hot pants tackling other men? I'm the one dancing with the ladies everyday of my life rocking out top moves and have pashed some of the hottest women I have ever seen? Including my adorable princess Nicole Lamb that I'm with now struggling to travel to the next destination to inspire youth to grow and not think like the stereo typed Aussy! We are Aussy, we love to dance and we are the future to having a free mind and doing what you love!

Now if it were supported more in Australia we would have a healthier country and open country and a country full of happiness! movement Creates happiness!!!

MTV, SONY, Aria Awards etc I get offered gig's from you to make other artists like Britney Spears, Fergie and Dizzy Rascal to name few look good and yet I'm offered to do it for free? I love what I do! This is all I do, this is all I know! I love it alright! But if you want me to make your artists look good, look after us and we will rock that gig more then you will ever know. So they turn us down because we ask to get paid more then $0-$250.00 for over 20 hours of rehearsal and rocking a performance of the artist they are making money out of? Then you know what they do is get the other dancers that are up and coming and are frothing to get that spot to put on their CV!

This is not how it should be! I just choreographed a major Australian artists last film clip, where not much dancing was used. BUT not one of the extra's were paid! This happens to professional dancers in film clips, It's an "experience". This was an experience most of those people will never do again, for all the hours getting bossed around and treated like shit. I'm heated about this as a new generation child coming up as a major artist for this country! I could have left off to USA and stayed an had a great career, but I'm choosing to stay and support and make Australia grow in the arts! Our new generation here is really full of talent, your sons, daughters, little cousins, nephew's and nieces could be a real star and your stopping them due to your opinion or the governments?

Deal with my spelling, you know what I'm getting at! My passion took over my English ok! haha

Pretty good whinge I think haha COP IT

THIS IS AN ISSUE! I'll BATTLE YOUR OPINION!

WATCH THE ABOVE VIDEO, IT HELPS BUT IT's HALF CLOSE TO THE REAL WORLD OF A DANCER!

THIS ISSUE WILL BE DISCUSSED AT UTOPIAN DREAM 2011 www.utopiandream.com.au

LOVE & LIGHT
Travers Ross
www.traversross.com.au

Ambitious and bright Tiana Brown is quickly rising through the ranks and establishing herself as one of Hollywood's leading talents.

As a dancer, she has worked with the top pop artists of our generation. From Cedar Rapids, Iowa, Tiana trained at Dance of Iowa Academy and at Broadway Dance Center in New York. She has done two world tours with Christina Aguilera, and worked with Jennifer Lopez, Britney Spears, Fergie, Toni Braxton, Christina Milian and Snoop Dogg. This beauty performed in the Olympics Closing Ceremonies in Utah and danced the stages on The Ellen DeGeneres Show, The Tonight Show, Saturday Night Live, Good Morning America and several award shows.

DanceLife caught up with Tiana while she was working on "High School Musical: Get In The Picture". In this interview Tiana talks about her career so far and what's ahead for the foxy and super talented Tiana Brown.

1. As a triple threat performer you are always in demand. Let's start at the beginning. What was your first paid gig as a dancer and had you always wanted to be a dancer?
I've been dancing since I was in my mom's womb. She was going to Prince concerts, so that was the beginning. I've always made a way to dance: dance studios, dance teams, teaching dance. After high school I was an instructor for UDA (Universal Dance Association), I used to dance on the Disney Cruise Line. My first big job, professional, well paying job was Britney Spears "I'm A Slave 4 U" VMA'S and music video. I was scouted in New York City by Bloc Dance Agency and when I was in Los Angeles performing for Carnival, they sent me on an audition and that's what I booked! It was pretty cool to start off my career with Britney.

2. You finished up Christina Aguilera's world tour in Australia last year. I have to say that this was my of my favourite concerts of 2007. What was your best experience you had working on the tour?
Well, thank you, we worked really hard. There were so many different elements to the show, as you know, but I have a few favorites. I dreaded Dirrty and Welcome to the Circus, but in the end they became my favorite. I've never danced with a poll or on a swing (trapeze) before this, so it was all new to me. A lot of bruises, new muscle was being formed and extensive training. Performing those numbers every night always pushed me to be the best I could be. I loved Still Dirrty as well. So much interaction and fun, sassy dance moves that let me really explore my freestyle.

3. You can be seen in a number of films including American Dreams, Fat Albert and in 2009 you will be standing alongside Zac Efron in Seventeen Again. Tell us about your role in this film and how it was working with the ultimate 14 year old girls crush, Zac Efron.
Hahaha. Well, working with Zac was awesome. He's a very chill guy, he gets the job done and he enjoys what he does. I did a dance number with him, choreographed by Jamal Sims. It's a moment where we are back in time (1983-ish) and he's the cool guy that dances with the dance team. We take it back too...we do the running man, the roger rabbit, the cabbage patch. You name it, we did it.

4. Along with Christina you have worked with Jennifer Lopez, Britney Spears, Fergie, Toni Braxton, Christina Milian and Snoop Dogg. What would you say are your key success factors when you book jobs for these international artists?
I maintain a professional attitude the entire time. On- stage and off-stage. I pick up choreography very fast, I execute what the artists and choreographer ask of me and I perform with my heart. No matter the size of the crowd, I will always put on a show like it's the last time I have to dance. Plus, I get along with everyone. It's easy to get cancelled out of a job if you don't get along with people. If you are a pleasure to work with, artists and choreographers will ask you back.

5. On your website www.tianabrown.com > you have a page titled ‘Tiana's Tips'. You have also created a workshop for High School Dance Teams "Get Down with Tiana Brown" where you inspire kids to reach their goals and dreams. As a young dancer growing up how important was it for you to have mentors and teachers who could steer you in the right direction and give you advice?
I find it very important. I received a lot technical support and encouragement to keep dancing, but I have to be honest, I also received a lot of resistance from my fellow dancers and teachers to pursue a life of dance. You can't blame them though. I'm from a small city in Iowa where there was a common direction to followed. I wanted to do hip hop, I wanted to go to New York City, I wanted to dance in music videos and I wanted to dance for pop artist. That's not a common dream of people that I grew up with. Making this decision was only supported by my mother. That's why I find it very important to inspire young adults to reach for their goals and passions because they may not make sense, but if you have them, what do you have to loose to reach for them? The one thing I have always taken with me was from my dance teacher. She said, "how can I see if you're trying, if you don't fall?" I think that speak volumes to anything and everything...she meant a triple pirouette! hahaha

6. On 20 July High School Musical: Get In The Picture debuted on the ABC. Tell us about your role on the show.
I am talent scout/faculty member of this show. I went to cities of America scouting talent for this show. While 5 other scouts were looking at the places I didn't see. From all the scouting and open calls, we casted 12 students to come to Utah and go through a major "boot camp" experience. They were vying for the main prize of a featured music video at the end of the HSM 3 and an ABC holding contract. Basically, I trained these students in dancing. We had master classes, an on location performance of some sort and a stage performance with their fellow students. In order to prepare for their performances, I would stage a certain song, while the other faculty member would work on their vocals, or the motivation of the performance. It became a group effort, but it wasn't easy because after we worked with them, it was our decision to send one or two students to the chorus each week. The beauty of our show, is that no one gets eliminated. They just move to the chorus. The chorus are then background vocals in the performances for the remaining students who are still in the competition. There's a lot going on, but I was always working with the students, it was a lot of hard work, but a lot of fun!

7. You are currently producing and presenting your own internet television concept with Julianne Waters called "The Get In Or Get Out Show." What is the show about and how did you come up with the concept?
Yes, I am. Julianne Waters is my best friend and business partner. We have created a website that's a video blog that features all the hip and current places of Los Angeles. Shopping, Dining, Nightlife Entertainment and Museums. We try to include the boys too because it could easily just be for the girls. We wanted to do something like this for people who come to visit Los Angeles or for those who live here and don't get out of their comfort zone. The title is very slang. Basically, get in to what we are saying or don't.

8. Where do you see yourself in 5 years time?
I see myself hosting my own motivational show. I would call it "Find Your Light." I wouldn't call myself the next Oprah, but I definitely see a world of encouragement to women of all ages. I'm for sure going to hit the big screen as well. I know I would play a great supporting role. I'm inspired by Zooey Deschanel and Judy Greer of "Misguided" and "27 Dresses".

For more info on Tiana check out her website www.tianabrown.com

Amy Pow started performing at the age of two years old and is graduate of The McDonald College Performing Arts School as a scholarship student. At age 17 years old she was the youngest hip hop teacher employed at Sydney Dance Company.
Travelling overseas on a regular basis she has trained at Broadway Dance Centre (New York, USA), Alvin Ailey (New York, USA) and The Edge (Los Angeles, USA) and has assisted Shawnette Heard (Janet Jackson dancer/choreographer) Bethany ‘Peanut' Strong (Janet Jackson) and Roger Lee (Justin Timberlake, Britney Spears) at the International Dancers Workshops. Performances include Disneyland (Los Angeles), Sydney Olympics Opening Ceremony (tap) and Closing, MTV, Channel V, Nickelodeon Kid's Choice Awards. She has performed with Guy Sebastian at the 2004 Aria Music Awards as well as touring with him around Australia. She has also been featured in video clips for Shakaya, Jimmy Barnes and Jade MacRae.

DanceLife caught up with Amy to chat about teaching, rejection, studying and choreographing!

1. There are so many young and talented choreographers emerging in Australia. You were only 17 when you started teaching at Sydney Dance Company. What advice do you have for young choreographers, especially those who are teaching?

Teaching can be really rewarding. Age is nothing but a number. I never thought I would teach nor get as much out of it as I did. The best teachers are the ones who give their all in every class. Be there because they want to be there, because they want to share and pass on some knowledge. Want their students to improve and get something more out of it then just 'steps'. I've been approached by students after class telling me that in that hour and half their life was changed. Whether it was a comment I made during class or the fact that they connected to the movement I realised at that moment that teaching is a privilege. I've had good teachers, okay teachers, bad teachers that have scared me and great teachers that have changed my life! Strive and be a great teacher!

2. You have taken classes all over the world by world renowned choreographers. Tell us about the choreographer that you will never forget and why.

Shawnette Heard. She danced for Janet Jackson in the Velvet Rope era, choreographed and directed some of Janet's shows and later tours. I only spent a brief amount of time around her but she had a strong presence. Sometimes people impact your life for a moment or for a lifetime but it's just as important to you. I guess her encouragement was something I needed at the time that gave me the confidence and reassurance that I was heading in the right direction.

3. Many Australian dancers are planning on going overseas to test the waters and see what opportunities are available outside of Australia. If you could give them one piece of advice on the move, what would it be?

Be prepared to start all over again!

4. As a dancer you deal with rejection. Has there ever been a time in your mind you thought, why do I continue to do this to myself? Why don't I just get a day job? If so how did you overcome this feeling and move on to become a stronger person?

I never really had those thoughts. I've been doing this since I was 2 yrs old and when I was 17 yrs old I realized I could make my passion into a career. Rejection isn't easy but the love of it gets you up another day to face it all again. If you're not driven and there's no passion, fun or love left then there's no point continuing and if that happened then I would probably change fields.

5. What would you say are the 5 key qualities that every professional, working dancer shares and why?

Passion, the fire, the love of it, the reason why you want to do it everyday. Determination, to bounce back from rejection. Discipline, to practice your craft. Being Humble, forever a student, continually growing. Inner Child, never forgetting that it should be fun!

6. When children that love dance are making the decision to go to high school they toss up whether to go to a performing arts school or not. Tell us about your experience at McDonald College?

I got a scholarship and decided to go there for my last two years of high school. It was the best and the hardest years of my school life. I loved hearing the bands playing over the courtyard at lunch time and the drama queens in class making up ridiculous stories on why their homework wasn't done! I loved being around creative people everyday but it also meant that it was very competitive and teachers obviously had their favourites. I guess I got to experience an insight into the industry. But I kept working hard on my craft and by the time i graduated I had got what I wanted out of the whole experience. I seem to get more out of hard experiences and the good experiences help with confidence.

7. As a choreographer where do you get your inspiration from?

I like to take different classes , various styles to broaden my spectrum and challenge myself. Watch live performances when I can and when I can't go on the net! I like just going to random everyday places and just sit and observe people and nature. Take it all in, let it settle then put some music on and freestyle. Be inspired by life. But it goes beyond that, I could see a photograph or an object and be inspired by its vibe. Is that a little crazy?!

8. You are working on your own material. Tell us a little bit about this.

Yeah I've been doing music for a while now but I've finally found my own sound, my producer and just having fun creating. I guess if I'm true to myself then the result can only be good!

Eddie Morales is a 30-year-old dancing sensation that has performed for millions of people all over the world as a back up dancer for the stars. Morales has been featured in many memorable blazing music videos and has performed at The Grammy's, The MTV Awards, The American Music Awards and many, many others. Now mega stars such as Janet Jackson, Mariah Carey, Diddy, Pink, Christina Aguilera and Super producer Timbaland keep Morales working and traveling all year long. He has grown from a dancer to a choreographer and staging supervisor and has his sights on more.

DanceLife caught up with Eddie to talk about his career so far.

1. Last year you travelled the world touring with what has been named the most popular tour of 2007 - Justin Timberlake's Future, Sex, Love, Sounds Tour. How was it working on such a massive production? What was the most memorable part of the tour?

It was amazing to work w jt.on such a production. I've learned so much in what it takes to put on a show of that magnitude together.

The most memorable would have to be my birthday, June 17th,2007. While we were on tour for FutureSex/LoveSounds, we were in Amsterdam. I celebrated in front of 80,000 in broad daylight and then had an entirely additional bday party at Club Panama in Amsterdam that night. Timbaland was there, performing for my celebration...i will never forget that amazing day.

2. You taught a few dance workshops while you were in Australia. What did you think of us Aussie Dancers?

Aussie dancers are great and "hungry" as they should be. They don't have as many outlets to show their talents to the masses as we do in the states.
When they're in classs, it reads through and I can see the drive and the "hunger" on their faces. They're ready to go and kill whateva choreography they're bout 2 learn..i love it. That was me when i started, n it still is 2this day.

3. You have been working and choreographing with Justin Timberlake for most of his career. Explain how the choreography has evolved and what inspires you when creating new choreography?

we move with the times ,feelings change,s tyles evolve, for jt he's a beast when it comes to transforming so he adapts well.
for us, working w/ someone like that, we evolve as well. An artist like that who is willing to take chances inspires me to be on my toes 24/7.

4. You have decided to pass on your knowledge and talents to up and coming artists through The Eddie Morales Signature Development Co. Tell us a little bit more about this side of your life.

Its an artist development co. im startin cuz labels dont have that anymore. I think its a necessity to have for any new acts nowadays, even if they dont need it, no 1 is perfect but it helps, saves time on sets, camera blockings etc. Nowadays people like sean combs (diddy) can create a reality show called makin the band but thas really just fancy Hollywood stuff that shows what artist development really is. It's not just the basis for "a show." Since mtv is paying for it why not put it on the air and call it "a reality show?" Labels dont wanna spend that money anymore cuz they dont care or find it a necessity but they still end up calling a choreographer..go figure.its def worth it.

5. Many dancers continue to struggle with their finances. What is one financial tip you could give to DanceLife Members?

Save ,invest, first chance you get stash some dough. U get $100, stash $40. U get $50, stash $20. always save for a rainy day or a moment in need.
Get an IRA account which u CANNOT touch. Sort of like a cd account. Give yaself 4years that u cant touch it. By then if you've been saving u will have a pretty penny saved. You will tell yaself, "dam i wish i did this sooner." Believe me - I know! Also try and keep ya credit clear. That helps in the long run.

6. What styles of dance did you train in as a child? What great words of wisdom were you told as a child that you will hold onto forever?

My great words weren't anything that were meant to be inspiring to me; they were words like, "you wont be anything if you pursue dancing." I often heard, "that's not a career" & "you cant make a living or money dancing."
It frustrated me so much that no 1 believed in me cuz they were scared to take the chances we chancing now when they were in our positions. I never wanted to live the 9-5 life, repeating the same sorts of life experiences evryday. i couldnt do it so i took that chance and risked security and look at me now. God is sooooo goood. I wake up evryday thankin him. I use all that negativity to keep me going in my endeavours as well.thas my strength i use it against all haters...so here u go, "HI HATERS and NON BELIEVERS" im still here.........and ticking....

7. You have accomplished so much already in your life but we all have goals. Where do you see yourself in 5 years time?

5 years running -5 companies for evry year - that is my goal.
#1 - a school program called music biz101 for jr.highschool students and high school students. The program would teach them the basics,and the biz side of what it takes to run a label,what a label REALLY is, for those that dont know.
#2 - a clothing line in development
#3 - music
#4 - a book that we will transition into a screenplay for a movie im writing and or a tv show im developing
#5 - a magazine
So can u say entrepreneur! I'm tryn to b the spanish version russell simmons/sean combs...period.
nothing stoppin me but space and opportunity. 

DanceLife Interviews Nathan Wright from dancelifeaus on Vimeo.

Check out our first 'On The Couch With Christine' segment. Nathan Wright is our first guest. Nathan Wright has worked extensively in musical theatre and is respected as both a performer and Choreographer. He has most recently choreographed the new Australian work Breast Wishes which is currently on at the Seymour Centre. Recently Nathan staged the finale in Boeing-Boeing and he kicks off 2009 with Gutenberg! The Musical. Nathan is currently the Associate Choreographer on Gale Edwards production of The Rocky Horror Show. Nathan was also the Assistant choreographer to John O'Connor on Gale Edwards production of Company and Assistant to the Director of Choreography (Jason Coleman) 15th Asian Games - Doha for David Atkins Enterprises, The Hong Kong Academy of Performing Arts and Draculas Theatre Restaurant.

Nathan began his professional musical theatre career at the age of twelve in The King and I with Hayley Mills. Nathan then went on to perform in Shout! The Story Of The Wild One (Young Johnny), Oh! What A Night, Hot Shoe Shuffle (Tap Bros), Get Happy (Carmen Miranda), Leader Of The Pack (Sydney and Melbourne seasons), Pepper in Mamma Mia! (for which he was nominated for the prestigious Green Room Award as a Best Supporting Actor in a musical), Eurobeat (Russia), Pippin (Theo) and Jesus Christ Superstar (Simon Zealotte). Film Credits include Baz Luhrmann's Moulin Rouge (The Wicked Faced Boy), and as a motion capture artist in George Millers Happy Feet.

For more information on Christine Denny check out her website www.tapatakoz.com.au

 Watch DanceLife's interview above with the fabulous Sharon Millerchip who plays Roxie Hart in the Australian production of Chicago. Sharon is a veteran in the world of musical theatre and has had an incredible journey throughout her many years in the industry. A very interesting interview about how she got involved in Chicago and advice for young performers wanting a career in musical theatre. For more info on Chicago check out www.chicagothemusical.com.au.

Here is our next ‘On The Couch With Christine' Interview. The lovely Rachel Schmalz chatted to Christine about her career so far. Check it out above.

Rachel studied Performing Arts at Brent St in 1996 and found herself being sourced from her classes to travel to Kuala Lumpur, Malaysia for a corporate performance. After finishing her certificate she joined the cast of Sesame Street Live.

Her love for Tap was cemented when she was offered a role as one of four females to join Dein Perry's "Steel City", his follow up to Tap Dogs. The show travelled Australia then headed to New York City where Rachel performed at Radio City Music Hall.

Other stage credits include The People's Choice Awards, The Helpmann Awards, The Opening and Closing Olympic Ceremonies Sydney 2000 with Kylie Minogue and the NRL Grand final's with Meatloaf and The Hoodoo Guru's. Her television credits include The Regis and Kathy Lee show (New York), The Today Show (New York) Sale of the Century, Midday with Kerri Ann and Australian Idol 05/06. Also many commercials including Pepsi, Kellogg's Cornflakes and The Sunday Telegraph.

Rachel can be seen in Dein Perry's feature film "Bootmen" and she also travelled to South Africa and London's West End to perform in his world premiere of "Tap Dogs - Rebooted"

DanceLife caught up with dancer Tiana Brown who is currently touring with Britney Spears Circus Tour. Tiana kindly sat down with DanceLife to chat about her career, dancing for Britney and what's involved in being a dance captain on the tour.

Ambitious and bright Tiana Brown is quickly rising through the ranks and establishing herself as one of Hollywood's leading talents.

As a dancer, she has worked with the top pop artists of our generation. From Cedar Rapids, Iowa, Tiana trained at Dance of Iowa Academy and at Broadway Dance Center in New York. She has done two world tours with Christina Aguilera, and worked with Jennifer Lopez, Britney Spears, Fergie, Toni Braxton, Christina Milian and Snoop Dogg. This beauty performed in the Olympics Closing Ceremonies in Utah and danced the stages on The Ellen DeGeneres Show, The Tonight Show, Saturday Night Live, Good Morning America and several award shows.

DanceLife recently caught up with Australian Dancer and Choreographer Carly O'Connor as she is currently training hard over in LA.

1.You're currently over in LA, what have you been up to there since you left Australia.

I've been taking class everyday! It's so inspiring and exciting to be pushed to your limits everyday! Classes in LA are really about dancing from the soul! Its a really rewarding experience.

2. As a professional dancer in Australia you have worked on some amazing jobs including Happy Feet, Australian Idol etc. Why do you think choreographers get you on board with so many different projects? What quality do you have that sets you apart from the crowd?

I think it's important from the very start of your career as a working dancer, to pride yourself on a good work ethic. To be focused, bright and energetic at both auditions and in rehearsals! To be someone that the choreographer wants to have on board, not only as a good dancer, but also have good energy to have on the job! Be enthusiastic! And always on time - if not early and be ready to work hard! I pride myself on having this reputation.

3. You have danced for international artists including Kelly Rowland, Mika, Tina Arena, Inaya Day and Marcia Hines. What has been your most memorable moment working with an artist?

I've had some great experiences with these artists! They were all so respectful and appreciative to have the dancers on board with them! I distinctly remember being in sound check with Tina Arena, marking through the routine and standing beside her, and this huge, amazing voice came out of this tiny lady! It sent shivers up my spine! I have the upmost respect for her and will never forget that! Also Marcia Hines is always good value on the job! Lots of laughs and always remembers conversations we had on past gigs and follows up with asking how you've been since then!

4. Many dancers dream of going overseas to make it. What has been your inspiration to cross the waters to the US?

I've been to LA to train many times over the years, and this time I feel like its right for me to stay here! I've paved the way with some great choreographers in the time I've spent here, so Im hoping that will put me in good light in the future! I'm ready for new adventures and bigger and better challenges to come!

5. How did you prepare for the move? Where did you look to for advice?

I've spent many an hour collating all the information I've needed to get the process complete! I have a special friendship with an amazing choreographer here in LA, Adam Parson, who as always been incredibly supportive and instrumental in my move here! Having him and other dancer/choreographer friends here to help me out and push me forward, has been really important!

If you're doing great things and want to let DanceLife know please email us at info@dancelife.com.au.

Our next On The Couch With Christine is with Piran Scott who was in the porfessional year of the QLD Ballet last year when the interview took place. He is now a Trainee Dancer with the company. Check out the video about and read more about Piran's career below.

As well as dance studies under Lynette Denny at Theatre Arts Mackay, Piran Scott trained in music and speech and drama, and also developed strong interests in debating, public speaking, and several sports. Piran auditioned successfully for admission to the 2008 cohort of Queensland Ballet's Professional Year, remaining in the program until the end of 2009 when he was offered a Trainee position with the Company for 2010. Before commencement of the program, Piran was engaged for the Company's season of The Nutcracker at the end of 2007. During 2008, he performed in A Midsummer Night's Dream, the 2008 International Gala, ...with attitude, The Little Mermaid, and Swan Lake as well as regional Queensland tour of The Amazing Magician. In 2009, he performed in A Streetcar Named Desire, the return Brisbane season and tour of A Midsummer Night's Dream, and The Sleeping Beauty, as well as Step Forward!, the program devised to showcase the 2009 Professional Year students. He was selected to perform in Bolero in the Paris Opera Ballet's gala performance in Brisbane in 2009, as well as the Company's third European tour. Piran joined Queensland Ballet as a Trainee dancer in January 2010.

On The Couch With Christine - Christine Denny from Tapatak Oz www.tapatakoz.com.au

Nigel Lythgoe and Simon Fuller, the creators of formats such as American Idol and So You Think You Can Dance, are to launch a new dance series, with the working title, Superstar Dancers of the World, which is slated for broadcast in early 2009 in the US on NBC. Hosted by Michael Flatley, best known as the "Lord of the Dance," the series will follow professionals from various genres of dance from eight countries compete against each other. Each team will be comprised of two soloists, one duo and one larger group. The eight countries currently scheduled to participate include Ireland, India, the U.S., Argentina, China, Russia, South Africa and Australia. The dance styles that will be represented on the show will be announced at a later date. Superstar Dancers of the World is from 19 Entertainment. Craig Plestis, the executive VP of alternative programming, development and specials for NBC Entertainment, commented, "This dance competition is very much like the Olympics. The physical feats these athletes and artists pull is mind-blowing, and we're so excited to form what we hope will be the definitive dance competition to decide which nation has what it takes to be the best of the best in the world. With so much at stake, this is sure to be a roller coaster, and you never know what will happen next. Plus, with Nigel and Simon running the show, it will be done first class all the way." "This is the most challenging and exhilarating project I've ever done," said Lythgoe. "Nothing of this magnitude has ever been attempted before on television. We will bring to America different cultural styles of dancers-each performer the best in their genre-and the sheer mosaic of styles and energy is going to be nothing short of awe-inspiring." An Australian broadcaster of the show has yet to be announced. While Ten has previously taken 19's Idol and dance, this show with Michael Flatley hosting would seem to more suit Nine which is known to be looking for a dance style show for its schedule next year. Nine were unavailable for comment at press time.

SOURCE: Media Day

DanceLife hosted our first ‘A Night With' event last night with the inspirational Kelley Abbey. Although the rain did stop us from enjoying the courtyard it didn't stop the conversation flowing well into the evening. We had a great mixture of dance teachers from different backgrounds and areas of Sydney, one even travelled from Newcastle... Now that's commitment. We spoke about a number of topics including choreography, agents, advice for students, improving the systems at your dance studio as well as Kelley talking about her experiences on Happy Feet. SYTYCD, the musicals she has worked on and what she has planned for the future. Make sure you keep your eyes on the newsletter for our next ‘A Night With...' event. Thank you to everyone who came and I hope you all enjoyed the night as much as Kelley and I did.

The Veronicas performed a 9 min version of their multi-platinum selling smash hit "Untouched" on APR 19th as part of the Miss USA TV Special in Las Vegas for NBC. The idea to use The Veronicas for the Evening Gown competition came from US choreographer Michael Schwandt and the show's Executive Producer, Phil Gurin. "We were up against a lot of skepticism from the Miss Universe Organization because it's a fast-tempo rock song and the overall look of The Veronicas is young rock" said Schwandt, "but we had the network behind us, and in the end we were right, the performance was a smash!" Michael Schwandt choreographed 41 non-finalists in the opening section of the performance, the patterns of the 10 finalists around the band, and actually directed the Veronicas performance itself. Check out the performance here http://www.youtube.com/watch?v=6eoQs41zh5M 

SO You Think You Can Dance judge Jason Coleman has been signed to a guest role on Neighbours.

Coleman will appear as himself and begins filming four episodes in late June, to be broadcast in October.

The dancer and choreographer, who flew to Bali this week on a two-week holiday, will dish out some tough love to Kate Ramsay (newcomer Ashleigh Brewer) when she auditions for Coleman's Ministry of Dance School.

 Source: Daily Telegraph

The delightful Kate Wormald (SYTYCD Season 1) walked down the aisle on the weekend to her long term spunky boyfriend Michael. DanceLife would like to congratulate the happy couple and wish them all the best for a fabulous future together.

11 year old Aidan Davis from Britain's Got Talent blew the judges away this week with his amazing self taught dance talents. He he is a standout allready, even in this season of strong contenders and BGT hopefuls who strive to win the competition that has already produced a formidable contender and worldwide overnight star, Scottish singer Susan Boyle.

"Not even my mum and dad knew I could dance," he said. "When I told them I'd signed up for Britain's Got Talent, they all assumed I was going to play the guitar." Aidan said.

Next week, Saturday May 23, 2009 the BGT semi-finals. Returning to the stage will be Scottish singer, Susan Boyle, who sang I Dreamed A Dream to instant global acclaim. She faces the talented field of contenders as all seek to become the Britain's Got Talent winner, which brings with it a cash prize of £100,000 and the opportunity to perform for the Queen at the Royal Variety Performance.

Watch Aidan's audition here http://www.youtube.com/watch?v=W7fxIWIQ0ww

Review of the Entertainment Industry Act 1989A fair deal for artist

Are you an actor, singer, musician, dancer, model, acrobat or other type of performer? Do you have a manager or do you use an agent to set up work for you?

If so, Industrial Relations NSW wants to hear from you.

Tell them about your experiences, good and bad. Explain your frustrations and complaints about dealing with agents and managers.

Is your agent or manager giving you the support you need?
Are you getting paid the right amount and on time?
Are you getting the opportunities you deserve?
Are practices in the industry making life difficult for you?
The NSW Government regulates entertainment industry agents, managers and venue consultants (booking agents) through the Entertainment Industry Act 1989. These people must comply with a range of rules about how much they can charge, how they handle money on your behalf and what information they must disclose to you.

The Government is reviewing the regulation to make sure it is protecting performers.

Help us to protect your livelihood by making sure agents and managers are working in your best interests.

Opportunity to comment closes on 3 August 2009.
Go to the review@oir.commerce.nsw.gov.au now to tell us what you think - please place the words "Entertainment industry" in the subject line.

A copy of the Options Paper (pdf - 100Kb) is now available.

Thanks to Malinda for bringing this to our attention!

In a 2 part season finale of SYTYCD America one of the four finalists will be crowned America's Favourite Dancer. Of course we have a huge interest in this year's finale as our favourite dancer from this year Talia will be performing on the show.

Talia wrote on her facebook profile yesterday "Talia Fowler went and saw top 4 night tonight and stood on the new set of SYTYCD at the kodak theatre in hollywood where i'll be performing - its the most amazing set ive ever been on - live in front of an audience of 3500!!; had a chat with mia michaels and nigel lithgoe and went to dinner and drinks with nat bass!! Xx".

We wish Talia all the best performing on the show. Stay tuned to DanceLife for her performance.

Damien Noyce has set the world alight with sensational success at the World Championships of Performing Arts in Los Angeles.

The baby-faced 25-year-old Sydney-based singer/dancer/actor has returned home from the 13th Annual World Championships of Performing Arts (WCOPA) with five gold medals and one bronze medal as well as being named overall champion in two categories.

Damien also scored an appearance in the internationally screened TV finals special (still to be screened on Fox News), an industry award, an offer to study at the prestigious New York Conservatory. He was courted with offers from countless Hollywood agents. Damien's photo and resume even ended up on Steven Spielberg's desk!

"It was truly an amazing experience!" says Damien. "Everything moved at the speed of light - especially the semifinals which involved working from 7am through the day & night - virtually creating and performing an original variety show in one day!"

Damien nearly didn't get there. Participating is an expensive business but through a glowing recommendation from Roland Peelman (Director of the Song Company) to legendary Aussie arts patron Rev. Dr. Arthur E. Bridge AM, Damien was supported by the ARS Musica Australis Trust along with some additional private donations.

Summary of the awards and medals he received:
• Special gold medal for selection as finalist/participant in WCOPA TV special;
Gold Medal Industry Award (one of 50 handed out from over 1000 contestants - a vote of confidence as being ‘highly marketable' with a bright future;
• Overall Champion in Vocal Broadway 25 years and up;
• Overall Champion in Vocal Opera 25 years and up;
• Gold Medal for Male Acting Comical 25-29 years;
• Gold Medal for Male Vocal Broadway 25-29 years;
• Gold Medal for Male Vocal Opera 25-29 years;
• Bronze Medal for Male Acting Dramatic 25-29 years.

"Considering I only entered 2 sections in both the vocal and acting categories (while most entrants entered the maximum), I had an extremely successful run!"

The Australian team of brought home a swag of medals between them including a senior Grand Champion of the World (Joe Robinson), 9 overall category wins and around 40 medals!

Damien now has the enviable problem of deciding his next career step: pursue his burgeoning stage and screen career in Australia or follow the dream in LA?

But most immediately he will be directing, choreographing and starring in "On Christmas Eve" as part of Short Sweet+Song in October at the Pilgrim Theatre Sydney and will be performing a one-man show for the "Imagine Festival" for at the Cleveland Street Theatre.

For more information including Damien's bio and his own account of the LA experience, visit: http://damiennoyce.com.au/blog.html

For more information about the competition: http://www.worldchampionships.tv/site2010/

'The Foundary', is proud to announce the hosting of the next exciting international dance workshops this September and October with the dancers from The Black Eyed Peas World The E.N.D. Tour 2009 in Hip Hop, Jazz Funk and Contemporary to be held in Brisbane 29 September, Sydney 3 October, Adelaide 4 October, Melbourne 8 October, Perth 9 October, and Auckland, NZ
12 October.

Many dancers in Australia dream of becoming a backup dancer for a major music artist on a world tour. 'The Foundary' is giving you the next best thing, a chance to learn from the actual backup dancers of one of the hottest, modern Hip Hop music groups in the world, The Black Eyed Peas!

Any dance student who has been to an international dance workshop knows the buzz you get in these high level classes. Who wouldn¹t want to experience at least one hour just to absorb the energy and magic these dancers create on and off the stage.

Annie Murdoch, the founder and director of 'The Foundary' is excited to bring such amazing, fresh, international dance flavour to dance students here in Australia & New Zealand. For full details on the dancers, video and how to register, log on to The Foundary¹s website at www.thefoundary.com.au

Prima Ballerina Camilla Vertogtis jumps for joy in Paul Westlake's Let's Dance for Instyle (October 09). The eight page story celebrates the release of the much anticipated film - Mao's Last Dancer. In the film, Camilla makes her acting debut as the wife of Cunxin, famed Chinese dancer who defected to the USA. However, in Paul's fashion story, Camilla plays a more familiar role as she dances her way through eight pages of sexy dresses and playful jumpsuits, styled by Kelly Hume. Camilla leapt to describe Paul's shooting style, "The shoot had a sensuality to it-I felt like I could move. Paul put on some music and I danced while he snapped away." Meanwhile Paul admired the ease with which Camilla took on the role of model, "she was able to defy gravity with perfect composition, shot after shot, in perfect focus." It just goes to show Paul's well-trained versatility, which you can expect to see even more of soon.

SOURCE: www.rprepresents.blogspot.com

The Australian Ballet's Artistic Director David McAllister has announced the nominees for the 2010 Telstra Ballet Dancer Award.

Amy Harris (Ballarat, Victoria), Ty King-Wall (Waihi, New Zealand), Miwako Kubota (Okinawa, Japan), Natasha Kusen (Sydney, NSW), Dana Stephensen (Brisbane, QLD) and Vivienne Wong (Sydney, NSW) are set to embark on an extraordinary journey.

Now in its eighth year, the Telstra Ballet Dancer Award is the highest accolade of its kind available to an Australian ballet dancer.

By the end of 2010, one of these talented individuals will join the ranks of previous winners who have gone on to lead The Australian Ballet.

Conceived in 2003 to support the aspirations of The Australian Ballet's dancers, the Telstra Ballet Dancer Award encourages excellence across all aspects of ballet.

The winner is awarded a $20,000 cash prize, provided by Telstra. The ever-popular People's Choice Award, worth $5,000 cash, will go to the dancer who receives the most public votes in 2010.

This year's nominees were nominated by The Australian Ballet's artistic staff, previous winners of the award and Principal Artists.

Each will be judged on the artistic quality of their work over the course of a full performance year. They will also be judged on perceived potential, personal development and their support of other dancers.

Last year, in a clean sweep, Newcastle darling Stephanie Williams won the coveted award and the People's Choice Award in front of a capacity crowd at the Sydney Opera House. (Amber Scott, currently a Senior Artist with The Australian Ballet, is the only other person to win both Awards, doing so in 2004).

To vote for your favourite dancer, simply SMS their first name to 0439 BALLET (0439 225 538) or visit www.beinvolved.com.au

The search is officially on for Australia's favourite ballet dancer!

Three smouldering Latinos of diverse dance backgrounds will create a maelstrom of passion and jealousy as they re-write the rules of traditional Argentine tango.

Created & staged by Will Centurion (SYTYCD: Series 3,Top 20) and featuring Mariana Baltodano (Costa Rican ballet, SYTYCD Top 100) and Manuel Albarracin (Stage Tango World Championship Finalist 2007).

Three2tango will combine poetry, visual art, music and an almost erotic fusion of movement to make their own mark on this dance form as we know it.

THREE2TANGO will take you on an unforgettable journey; oozing with an almost stifling, sexual tension, audiences will be taken on an electric ride through the back streets of Buenos Aires.

THREE2TANGO will premiere at the CASULA POWERHOUSE ARTS CENTRE for a limited season:

FRIDAY 23rd April Premiere performance
SATURDAY 24th April 2pm and 8pm performance
For Bookings: www.casulapowerhouse.com.au

Further performances at Slide Bar/Cabaret:
May 4, 11, 18 and 25
For bookings: www.slide.com.au
Tickets Starting from: $30.00 (Groups/Concession)

Following on the success of his 2009 productions SKIN & OM! - A Dance Experience, 'OBSESSION' is the brain child of Director & Choreographer Robert Sturrock, who concieved the show as an avenue to showcase and highlight the talents of the melbourne contemporary and lyical dance community.

Under the umbrella of his successful company Industry Dance, (incorportating a full time professional development couse for adult performers , junior school for youth and booking agency for floorshows and commercial/corporate work) Robert held various auditions in March this year to find an assortment of Melbournes hottest dancers for the third installment of what are slowly becoming regular 'must see' dance theatre events on the Melbourne arts scene.

The long term aim of the experiment is to create a dancers company that will stage various showcases and performances each year while creating paid work for dancers in a very competitive industry and allowing them to share their passion with the wider community.

Robert Sturrock is one of Australia's most renowned dance teachers and choreographers, his televsion credits include So You Think You Can Dance, Hey Hey, Its Saturday!, The Logies The Simon Gallagher Series, The Saturday Show, Countdown and The Don Lane Show. Robert toured Australia in Dynamite and Dancin' Dynamite with David Atkins and featured in A Chorus Line and The VSO production of Aida. After working in the corporate commercial and fashion world for the past 20 years he has now turned his hand to teaching, choreography and direction.

Sturrock reccently featured on an episode of Chanel 10's 'So You Think You Can Dance' taking the top 20 dancers for a Masterclass in Adage and Pas De Deux, amongst the group of contestants were two cast members from previous Industry Dance productions (Nick Guerts & Lauren 'IVY' Heeney) who now form part of the top 10 dancers for this season. Reccent graduates of Sturrock's school, Industry Dance, have gone on to roles in the reccent and current proffesional productions Fame: The Musical, Mary Poppins, Jersey Boys, Wicked, The Drowsy Chaperone, High School Musical: Live On Stage, Chicago & MAMMA MIA!

The Cast of 'OBSESSION' includes:
Mandy Savickas, Lauren Gutierrez, Natalie McIntosh, Bec Fairey, Emily Hall, Bree Kent, Ashleigh Perrie, Elizabeth Bennett, Andrew Portelli, Adam Cicala, Cameron Stiles and Jason Teasedale.

'OBSESSION'
Wednesday 19th May 8.00pm
Thursday 20th May 8.00pm
Friday 21st May 8.00pm
Saturday 22nd May 8.00pm
Sunday 23rd May 8.00pm

Theatreworks, 14 Acland St, St. Kilda

Tickets: Adult: $35, Concession: $30, Under 15: $25
All Ages at Parental discretion (Adult Themes, Nudity & Sexual References)
Bookings 03 9534 3388 or www theatreworks.org.au

Marko Panzic has been called in to choreograph and stage the Napoleon Tour in Melbourne City and Gold Coast this month!

Three dancers were hired - Kate Wormald (Assistant Choreographer), Andrew Deluna and Cory To'o. The dancers will perform an opening number, intermission and the Finale of the event. Also for the event models have been hired to work with Napoleon on his make-up trends for this month.

Marko has already completed the tour in Sydney, Melbourne and Brisbane which also featured Anthony Ikin and Loredo Malcolm.

Rock of Ages are looking for a young, good-looking guy that can rock! Do you have an incredible, stand-out voice? Our lead is a sweet, boy-ish, kid with a dream who is looking for his "big ticket" out, but finds love instead.

Must be in his 20's or early 30's, to play 20's. Drew sings 18 songs throughout ROCK OF AGES. A subtle sense of humor is big plus.

ROLE DESCRIPTION
Rock of Ages is a 1980's rock musical and the choreography reflects this style.

Character : Drew Boley
Age : 20's - 30's to play 20's

Details: A young, handsome rocker. He has great comedic timing, a rock edge, boyish quality, charm, vulnerability, is a potential rock star. Drew desperately wants to be a rocker, but works at a bar back at the famous "Rock of Ages" club on the Sunset Strip until his dreams, however unrealistic, come true. Any ethnicity.

Vocal Requirements : Strong tenor rock voice with full-voice chest range to D. Rock mix/falsetto to F. Not looking for a 'contemporary musical theatre' pop voice, but a pure, gritty rock sound.

Dance Requirements: should be a good mover.

Final auditions will be held in America with the Broadway Creative Team. This will take place in late August/early September.

OPEN CALL AUDITIONS:
MELBOURNE: Saturday 14 August
SYDNEY: Sunday 15 August

The Audition Process
•Auditionees must register online by 5pm Friday 13th August for either Melbourne or Sydney

CLICK HERE for all the details.